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Late Night Highlights: Disco Suit Galifianakis, Tom Hanks’ Oscar Losses and Up in the Air with J-Woww

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Life is full of disappointments, the old Lutheran church hymn goes, but nothing seems to let people down more often than Saturday Night Live. Even long time fans of the show who have been burned by stale characters, poor acting and basic unfunniness still come back every week hoping for the best but usually getting something short of that. Zach Galifianakis did his best to raise expectations last night on Late Night with jokes about walking offstage mid-show and a bizarre “skitch” in which Jimmy Fallon did not even break character. Those clips, as well as the other highlights you missed last night while listing 40 pairs of Aiaiai headphones on eBay, after the jump.

4. Tom Hanks Reflects

Five-time Oscar-nominee Tom Hanks warmed the Late Show audience up for Oscar weekend by discussing his past Academy Award losses.

3. Flying High with Ronnie and J-Woww

The last of this week’s guid-homages aired last night on Lopez Tonight, with Ronnie and J-Woww joining Vera Farmiga and George Clooney for a round of Up in the Air style club card-comparison. If this doesn’t get Ronnie an audition for Jason Reitman’s satirical comedy about the tanning bed industry, nothing will.

2. Stephen Colbert Goes Under-Pimp

The Colbert Report host went toe-to-toe with Sean Hannity about deceptive editing during a deceptively edited interview with the Fox News personality.

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1. Galifianakis Mentally Prepares

No other comedian could pull off a white disco suit and make the Late Night host crack-up with the mention of a single soda brand.

Tagged: BRIAN WILLIAMS, DAVID LETTERMAN, DIANE SAWYER, JIMMY FALLON, JON STEWART, KATIE COURIC, KEITH OLBERMANN, LATE NIGHT HIGHLIGHTS, NBC, SATURDAY NIGHT LIVE, SEAN HANNITY, STEPHEN COLBERT, TOM HANKS, Zach Galifianakis

Comments

Dear Movieline,
Is there anyway you can get around those Toyota Death Machine ads? Thx!

tom hanks is probably one of the most down to earth people in hollywood

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Stephanie Says

Anton Corbijn’s The American looks and feels like a movie made by a filmmaker who hasn’t been to the movies since the ’70s — and I mean that as the highest compliment.

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